Falling in love with this and the rest of Lucie Rice’s prints. Girl has got it goin’ on. Seriously. She does.
Sasha Kurmaz sure knows how to take a portrait of a flower.
Jaw, meet Floor.
Flower Carpet, Urban Art Display, created by Kate Nikolaeva Studio.
Nancy finds the COOLEST stuff. Thanks for sharing this!
Picture
Chiaki Murata of Metaphys makes a very simple, yet true, statement with this product: Nature is Art. The Picture Planter hangs on your wall like a painting and has a growing section on the bottom of the frame for growing grass, herbs, flowers or whatever you want.
(via Finnish illustration/design studio Polkka Jam, aka Kristiina Haapalainen and Sami Vähä-Aho)
Babylon Chandelier is an “ode to nature.” A transparent bubble houses living plants, creating a suspended garden lamp. Design by Alexis Tricoire.
![]()
I have too much thyme on my hands.
Seriously though, I feel like I’m perpetually drying herbs! Who wants to buy some from me?
I just bought some cute metal tins and resealable plastic bags and labels!! I’m opening up shop. this is happening today.
Kari Herer’s mixed media art can sometimes look like botanical illustrations caught between dimensions. Her work is available for purchase in her Etsy store.
That’s Magnolia stellata, in case you were wondering.
The Chrysanthemum Centrepiece by Michaella Janse van Vuuren is remarkable in more ways than one. For starters, it’s reversible.
About the piece:
The Chrysanthemum centrepiece is a reversible design that can function as either a bowl or a candle holder, depending on which side of the design faces upwards.
The centrepiece reflects my passion for the textures, shapes and patterns found in nature. I especially like to interpret those objects that have a repetitive mathematically founded pattern. Some objects are immediately recognisable, such as the Chrysanthemum, others are more abstract. Direct 3-dimensional manufacturing methods, such as selective laser sintering (SLS) used to create the Chrysanthemum allows me to design intricate textures and objects. These textures and objects would have been impossible to execute by hand, yet the centrepiece still retains the beauty and tactile feeling of a natural object.